Timothy's answer "What happens at your table trumps the rules, though." is of course the whole of it. The rest of us are left with discussion about specifics for the joy of discussion.
So, taking in mind that it doesn't matter what we say, we can look at the lists of examples on pages 45 and 46 of the core book.
They all look pretty good to me, (with the exceptions of the minor focuses for herbam; fruiting and wood those strike me as too small and too large respectively).
the majors: (women's bodies, salt water, trees, domesticated animals, metals) look to me like they cover a significant portion of a form - up to half of one.
the minors: (birds of prey. small steams, disease,erasing memories, the color blue) are pretty darn specific. while "erasing memories" doesn't come close to a whole technique/form combination the examples like canines can be used for every technique and form.
I imagine the intent of the rules runs like this: "imagine the set of all possible spells now imagine the fraction of this set that your focus applies to. A major focus should be about a quarter the size of a form (~2% of all spells) a minor should be about a quarter of a technique/form combination about 0.5%, but obviously you should choose things that will contribute to cool stores and not worry so much about individual power." (I also imagine this as a physical personification of the rules sitting in a comfy chair with a glass of brandy actually saying it followed by "yeah, that's what I was thinking,..huh... can you get me a refill?")
In my experience there comes a point in play after a few decades of game time (so irrelevant for all but a few of the sagas in which I've played) where any minor magical focus that involves a physical object becomes more valuable then any non-physical focus major or minor. In other words a minor focus in left handed asthmatic pinkish tree frogs is more useful than a focus in visual images, emotions, or disguise. This is because the maga of sinister wheezing rosy tree frogs will have spells to conjure up as many of them as needed and other spells to use them to accomplish most anything that she needs done (manual labor, building material, communication, combat, retrieving information, what have you) the master of emotions is going to find it a greater challenge to apply their focus to as many different problems.
The book assumes that the important issue is what proportion of the world that surrounds that magus their focus applies to. In doing so it misses the fact that magi are capable of filling their environment with any arbitrarily large quantity of their focus.